"Romeo and Juliet, Suite No. 2, Op. 64ter: III. Friar Laurence" by Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan was released on April 19, 2024. The duration of Romeo and Juliet, Suite No. 2, Op. 64ter: III. Friar Laurence is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Romeo and Juliet, Suite No. 2, Op. 64ter: III. Friar Laurence's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 14 in All These Lighted Things by Elim Chan, Antwerp Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Romeo and Juliet, Suite No. 2, Op. 64ter: III. Friar Laurence is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Romeo and Juliet, Suite No. 2, Op. 64ter: III. Friar Laurence by Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 86 BPM | ||
Peter and the Wolf, Op. 67 (Remastered): The Story Begins | Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra | G Major | 2 | 9B | 100 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
Piano Concerto No. 5 in G Major, Op. 55: IV. Larghetto | Sergei Prokofiev, Francesco Tristano, Russian National Orchestra, Mikhail Pletnev | E♭ Major | 0 | 5B | 64 BPM | ||
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 0 | 4B | 75 BPM | ||
Solfeggio, H. 220 | Carl Philipp Emanuel Bach, Rebecca Chambers | C Minor | 2 | 5A | 125 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Masquerade Suite: Nocturne | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 1 | 11B | 105 BPM |