"Symphony No. 14, Op. 135: I. De profundis" by Dmitri Shostakovich, Matthias Goerne, Orchestre Philharmonique de Radio France, Mikko Franck was released on October 20, 2023. With this song being about 5 minutes long, at 4:42, "Symphony No. 14, Op. 135: I. De profundis" by Dmitri Shostakovich, Matthias Goerne, Orchestre Philharmonique de Radio France, Mikko Franck is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Shostakovich: Symphony No. 14". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. Symphony No. 14, Op. 135: I. De profundis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 14, Op. 135: I. De profundis by Dmitri Shostakovich, Matthias Goerne, Orchestre Philharmonique de Radio France, Mikko Franck having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
Chamber Symphony in F Major, Op. 73a (Arr. R. Barshai): I. Allegretto | Rudolf Barshai, Dmitri Shostakovich, Kyiv Virtuosi, Dmitry Yablonsky | C Major | 1 | 8B | 88 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Humoresque, Op. 101, No. 7 | Antonín Dvořák, Kim Dami | F♯ Major | 1 | 2B | 83 BPM | ||
Waltz No. 10 in B Minor, Op. 69, No. 2 | Frédéric Chopin, Idil Biret | B Minor | 0 | 10A | 155 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
CPE Bach: Solfegietto in C Minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Georges Pludermacher | F Minor | 1 | 4A | 143 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |