"No More Blues" by Harry Allen had its release date on March 17, 2009. This song is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The song is number 7 out of 12 in Eu Não Quero Dançar - I Won't Dance by Harry Allen. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, No More Blues is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of No More Blues by Harry Allen is Andante (at a walking pace), since this song has a tempo of 99 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
My Song | Alex Riel, Bo Stief, Carsten Dahl | C Major | 3 | 8B | 116 BPM | ||
Make The Man Love Me | Wynton Kelly | C Major | 2 | 8B | 111 BPM | ||
Don't Take Your Love From Me | Johnny Hodges & His Orchestra | C Major | 1 | 8B | 178 BPM | ||
Prelude to a Kiss | Carl Winther Trio | C Major | 1 | 8B | 110 BPM | ||
Till There Was You | Carla Anderson | E♭ Major | 2 | 5B | 68 BPM | ||
Still Life | Bill Mays Trio | B♭ Major | 3 | 6B | 86 BPM | ||
You'd Be So Nice to Come Home To | Tate Jackson Trio | A Minor | 3 | 8A | 126 BPM | ||
A Warm Hand | Carl Winther Trio, Håkan Broström | D Minor | 3 | 7A | 98 BPM | ||
In the Wee Small Hours of the Morning | Erik von Spreckelsen, Marek Konarski | C Major | 2 | 8B | 100 BPM | ||
I'm Glad There Is You | Bobby Watson | A Major | 5 | 11B | 98 BPM |