"Daphnis et Chloé, Part I: Interlude" by CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Simon Halsey was released on 1992. Daphnis et Chloé, Part I: Interlude is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Ravel: Daphnis et Chloé - Boléro". In this album, this song's track order is #8. Daphnis et Chloé, Part I: Interlude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Daphnis et Chloé, Part I: Interlude by CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Simon Halsey having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Am the Song / Birth | Jonathan Dove, CBSO Chorus, CBSO Youth Chorus, CBSO Children's Chorus, Joan Rodgers, City Of Birmingham Symphony Orchestra, Simon Halsey | G Major | 3 | 9B | 87 BPM | ||
Selig sind die Toten | Heinrich Schütz, Elizabeth Futral, Judith Malafronte, Frederick Urrey, Wilbur Pauley, Richard Westenburg | G Major | 1 | 9B | 127 BPM | ||
Requiem aeternam: Recordare | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 1 | 7A | 121 BPM | ||
Crossing the Bar | Hubert Parry, Choir of Jesus College, Cambridge, Mark Williams | D Major | 1 | 10B | 70 BPM | ||
Magnificat (Short Service) | Orlando Gibbons, Oxford Camerata, Jeremy Summerly | A♭ Major | 1 | 4B | 97 BPM | ||
I Vow to Thee, My Country (Arr. Michael Leighton Jones) | Gustav Holst, Michael Leighton Jones, Cecil Arthur Spring Rice, The Choir of Trinity College, Melbourne, Jonathan Bradley | B♭ Major | 2 | 6B | 130 BPM | ||
Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II: Come, ye sons of art, away | Henry Purcell, Michael Chance, The English Concert, Trevor Pinnock, The English Concert Choir | D♭ Major | 2 | 3B | 81 BPM | ||
Fauré: Super flumina Babylonis | Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Laetitia Singleton, Maria Virginia Savastano, Mathias Vidal, Ugo Rabec, Orchestre de Paris | A Minor | 1 | 8A | 115 BPM | ||
Panteley the Healer for mixed Chorus | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | E Minor | 1 | 9A | 91 BPM | ||
Aesop's Fables: No. 2. The Mountain in Labour | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | D Minor | 1 | 7A | 127 BPM |