"Elijah, Op.70, MWV A25 / Part 1: "Bless'd are they who fear the Lord"" by Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel was released on January 1, 1997. The duration of Elijah, Op.70, MWV A25 / Part 1: "Bless'd are they who fear the Lord" is about 3 minutes long, at 3:21. Based on our data, "Elijah, Op.70, MWV A25 / Part 1: "Bless'd are they who fear the Lord"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Felix Mendelssohn, Bryn Terfel, Renée Fleming, Edinburgh Festival Chorus, Orchestra of the Age of Enlightenment, Paul Daniel's "Mendelssohn: Elijah" album is number 11 out of 44. Elijah, Op.70, MWV A25 / Part 1: "Bless'd are they who fear the Lord" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Elijah, Op.70, MWV A25 / Part 1: "Bless'd are they who fear the Lord" by Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Trois chansons de Charles d'Orléans, L.62: 2. Quant j'ai ouy le tabourin | Claude Debussy, Nicola Jenkin, The Monteverdi Choir, John Eliot Gardiner | F♯ Minor | 0 | 11A | 85 BPM | ||
Dichterliebe, Op. 48: VI. Im Rhein, im heiligen Strome | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | F Major | 0 | 7B | 57 BPM | ||
St. John Passion, BWV 245: Part I: Aria: Ich folge dir gleichfalls (Soprano) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 0 | 11A | 99 BPM | ||
Samson HWV 57 / Act 3: Let the bright seraphim | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | D♭ Major | 3 | 3B | 116 BPM | ||
Elijah, Op. 70, MWV A25 / Part 1: "O Thou, who makest Thine angels" | Felix Mendelssohn, Bryn Terfel, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | A Major | 0 | 11B | 80 BPM | ||
The Starlight Express, Op. 78: To the Children | Edward Elgar, Bryn Terfel, Orchestra of the Welsh National Opera, Sir Charles Mackerras | G Minor | 0 | 6A | 89 BPM | ||
Messe en mi mineur: Messe en mi mineur: Gloria. Allegro | Anton Bruckner, Collegium Vocale Gent, Ensemble Musique Oblique, La Chapelle Royale, Philippe Herreweghe | C Major | 0 | 8B | 92 BPM | ||
Rinaldo, HWV 7b: Act I Scene 7: Aria: Cara sposa, amante cara, dove sei? (Rinaldo) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 92 BPM | ||
Mass in C Major, Op. 86: I. Kyrie | Ludwig van Beethoven, Sir Colin Davis, Sally Matthews, Alastair Miles, London Symphony Chorus, John Mark Ainsley, Sara Mingardo, London Symphony Orchestra | C Major | 1 | 8B | 79 BPM | ||
Requiem in C Minor: III. Dies irae | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | C Minor | 1 | 5A | 85 BPM |