Miles Davis made "Eighty-One" available on 1965. Eighty-One is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The song is number 2 out of 7 in E.S.P. by Miles Davis. Based on our statistics, Eighty-One's popularity is average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Eighty-One by Miles Davis is Allegro (fast, quick, and bright), since this song has a tempo of 139 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dolores | Miles Davis | G Minor | 5 | 6A | 138 BPM | ||
Sophisticated Lady | Cedar Walton | B♭ Minor | 1 | 3A | 130 BPM | ||
El Hombre | Pat Martino | E Minor | 6 | 9A | 169 BPM | ||
Crazy He Calls Me | Wynton Kelly | C Major | 1 | 8B | 65 BPM | ||
Bluesville | Kenny Drew | F Minor | 2 | 4A | 163 BPM | ||
Conception | Bud Powell Trio | E Major | 4 | 12B | 118 BPM | ||
In Your Own Sweet Way | Scott LaFaro | A♭ Major | 0 | 4B | 117 BPM | ||
Nights At The Turntable | Gerry Mulligan Quartet | G Major | 3 | 9B | 76 BPM | ||
Why Are We Afraid? | Art Pepper | C Major | 0 | 8B | 62 BPM | ||
Blues Stride | McCoy Tyner Trio | F Major | 2 | 7B | 126 BPM |