"Passio Domini nostri Jesu Christi secundum Joannem, Scene 9: "Postea sciens Jesus quia omnia consummata sunt"" by Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Krystian Adam, Doron Schleifer had its release date on 2009. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "St John Passion". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Belgium. Passio Domini nostri Jesu Christi secundum Joannem, Scene 9: "Postea sciens Jesus quia omnia consummata sunt" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Passio Domini nostri Jesu Christi secundum Joannem, Scene 9: "Postea sciens Jesus quia omnia consummata sunt" by Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Krystian Adam, Doron Schleifer having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque No. 3, Op. 7: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 5 | 11B | 110 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Concerto in F Major, Seibel 234: 1. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 133 BPM | ||
Concerto grosso No. 8 in F Major, "Coronatio Augusta": Sonata. Grave | Georg Muffat, Musica Aeterna, Peter Zajicek | E Major | 1 | 12B | 171 BPM | ||
La morte del Giusto e del Peccatore: Duetto: Così more il Peccatore (Non presto) - Cantata For Soprano, Contralto and B.c. | Francesco Feo, Lucia Casagrande Raffi, Elisabetta Pallucchi, Romabarocca Ensemble, Lorenzo Tozzi | D Major | 1 | 10B | 69 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM | ||
Symphony No. 4 in F Major: 1. Allegro | William Boyce, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 95 BPM | ||
Pièces de Clavessin, Suite in E minor | Jean-Philippe Rameau, Trevor Pinnock | E♭ Minor | 4 | 2A | 92 BPM | ||
Fago: Tam non splendet sol creatus: I. "Tam non splendet sol creatus" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 3 | 12B | 120 BPM |