"La Damnation de Faust, Op. 24, H. 111: Pt. II, Scène VII - Choeur de gnomes et de sylphes. Songe de Faust. "Dors! heureux Faust"" by Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Christopher Purves, Sir Simon Rattle, Bryan Hymel was released on March 8, 2019. La Damnation de Faust, Op. 24, H. 111: Pt. II, Scène VII - Choeur de gnomes et de sylphes. Songe de Faust. "Dors! heureux Faust" is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The song is number 15 out of 36 in Berlioz: La damnation de Faust by Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle, Christopher Purves, Karen Cargill, Bryan Hymel, Gábor Bretz. La Damnation de Faust, Op. 24, H. 111: Pt. II, Scène VII - Choeur de gnomes et de sylphes. Songe de Faust. "Dors! heureux Faust" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Damnation de Faust, Op. 24, H. 111: Pt. II, Scène VII - Choeur de gnomes et de sylphes. Songe de Faust. "Dors! heureux Faust" by Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Christopher Purves, Sir Simon Rattle, Bryan Hymel is Lento (slowly), since this song has a tempo of 57 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Les Troyens, Op. 29, H 133, Act V: No. 44a. "Errante sur tes pas …" | Hector Berlioz, London Symphony Orchestra, Ben Heppner, Sir Colin Davis, Michelle DeYoung | B♭ Major | 2 | 6B | 76 BPM | ||
Capriccio Espagnol, Op. 34: II. Variazioni | Nikolai Rimsky-Korsakov, Berliner Philharmoniker, Lorin Maazel | G Major | 2 | 9B | 74 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | D♭ Major | 0 | 3B | 174 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Sylvia: Act I: Les chasseresses (Fanfare) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E♭ Major | 1 | 5B | 83 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM |