On 2011, the song "Kapitel 168 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" was released by David Allen, Jürgen Kalwa. The duration of Kapitel 168 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is about 3 minutes long, at 3:00. Based on our data, "Kapitel 168 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Allen's "Ich schaff das! (Ungekürzt)" album is number 38 out of 194. On top of that, Germany appears to be the country where this track was created. Kapitel 168 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kapitel 168 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa da Requiem: II Mors stupebit | Elena Filipova, Cesar Hernandez, Hungarian State Opera Chorus, Carlo Colombara, Gloria Scalchi, Hungarian State Opera Orchestra | A Major | 1 | 11B | 127 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Couplets. "Eh quoi ! Monsieur, supposez-vous..." (Caroline, Alfred, Tourillon) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Michel Roux, Remy Corazza, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 1 | 9B | 80 BPM | ||
Chansons de Marjolie: No. 3, Celui que j’aime | Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve Niquet | A Major | 1 | 11B | 89 BPM | ||
Las Golondrinas, Final, III parte: "¡Quién se ríe así!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
Mozart: Basta, vincesti… Ah, non lasciarmi, K. 486a | Wolfgang Amadeus Mozart, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 0 | 5B | 70 BPM | ||
Las Golondrinas, Escena 3ª, II parte: "Fuego de paja en el viento" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi, Mercedes Plantada | E♭ Major | 2 | 5B | 129 BPM | ||
Kapitel 23 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag | David Allen, Jürgen Kalwa | F Minor | 3 | 4A | 102 BPM | ||
Kapitel 184 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag | David Allen, Jürgen Kalwa | F Minor | 2 | 4A | 101 BPM | ||
La forza del destino, Act IV, Scene I: Giunge qualcun; aprite | Giuseppe Verdi, Riccardo Zanellato, Simone Piazzola, Carlo Lepore, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM |