Nadia Boulanger, Antonio Meneses, Celina Szrvinsk's 'Trois Pièces pour violoncelle et piano' came out on February 12, 2009. The duration of Trois Pièces pour violoncelle et piano is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Trois Pièces pour violoncelle et piano's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Soirées Internationales". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Trois Pièces pour violoncelle et piano is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trois Pièces pour violoncelle et piano by Nadia Boulanger, Antonio Meneses, Celina Szrvinsk having a テンポ of 118 with a half-time of 59 テンポ and a double-time of 236 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
18 Liebeslieder-Walzer, Op. 52: No. 7, Wohl schön bewandt | Johannes Brahms, Irene Kedroff, Marie-Blanche de Polignac, Paul Derenne, Doda Conrad, Dinu Lipatti, Nadia Boulanger | A♭ Major | 1 | 4B | 80 BPM | ||
Cello Sonata in D Major, Op. 17: II. Andante tranquillo | Luise Adolpha Le Beau, Steven Isserlis, Connie Shih | B Minor | 1 | 10A | 86 BPM | ||
Madrigals - Book 9: O Come Vaghi | Claudio Monteverdi, Flore Wend, Hugues Cuénod, Paul Derenne, Doda Conrad, Nadia Boulanger | E♭ Minor | 0 | 2A | 96 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D Major | 1 | 10B | 125 BPM | ||
3 Pièces for Cello and Piano: No. 3, Vite et nerveusement rythmé (Arr. for Bassoon and Piano) | Nadia Boulanger, Theo Plath, Aris Alexander Blettenberg | D♭ Major | 2 | 3B | 149 BPM | ||
6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114 | Felix Mendelssohn, Harriet Krijgh, Magda Amara | B Minor | 1 | 10A | 86 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM |