Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon's 'Amour malade: 2e Air pour les Braves Jaloux' came out on May 4, 1998. With Amour malade: 2e Air pour les Braves Jaloux being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully's "Lully: Ballet Music for the Sun King" album is number 25 out of 35. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Amour malade: 2e Air pour les Braves Jaloux's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Amour malade: 2e Air pour les Braves Jaloux by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon to be Allegro (fast, quick, and bright) because the track has a tempo of 140 テンポ, a half-time of 70テンポ, and a double-time of 280 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gordion Knot Unty'd, Z. 597: Chaconne | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 100 BPM | ||
Concerto grosso No. 7 in D Major, Op. 6: IV. Allegro - Adagio | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 4: II. Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | B♭ Major | 0 | 6B | 117 BPM | ||
Dido and Aeneas, Z. 626: Act III: The Witches' Dance | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | A Major | 0 | 11B | 102 BPM | ||
Concerto No 11 in B flat major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | A Major | 2 | 11B | 147 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VI. Minuet | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 85 BPM | ||
Symphony No. 4 in C Major: III. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | F♯ Major | 2 | 2B | 186 BPM | ||
Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 167 BPM | ||
Symphony No. 15 in D Major, Hob.I:15: II. Menuet | Joseph Haydn, Toronto Chamber Orchestra, Kevin Mallon | D♭ Minor | 1 | 12A | 100 BPM | ||
Sonata [Concerto IX] in A minor for recorder, 2 violins & basso continuo: III. Fuga | Alessandro Scarlatti, Petr Zejfart/Lorenzo Colitto/Maurizio Naddeo/Europa Galante/Fabio Biondi | A♭ Minor | 1 | 1A | 137 BPM |