"When We Were Trees, Resonance Wood (La Foresta Dei Violini)" by Giovanni Sollima, Julian Kuerti was released on May 9, 2008. The duration of When We Were Trees, Resonance Wood (La Foresta Dei Violini) is about 3 minutes long, at 3:01. Based on our data, "When We Were Trees, Resonance Wood (La Foresta Dei Violini)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of We Were Trees by Giovanni Sollima. The song's track number on the album is #8 out of 13 tracks. When We Were Trees, Resonance Wood (La Foresta Dei Violini) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since When We Were Trees, Resonance Wood (La Foresta Dei Violini) by Giovanni Sollima, Julian Kuerti has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With When We Were Trees, Resonance Wood (La Foresta Dei Violini) being at 74 テンポ, the half-time would be 37 テンポ with a double-time of 148 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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6 Studies in English Folksong (Version for Cello & Piano): No. 1, Adagio "Lovely on the Water" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 0 | 9A | 69 BPM | ||
Hommage à J.S.B.: II. Andantino | Valentin Silvestrov, Daniel Hope, Alexey Botvinov | G Major | 1 | 9B | 127 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
L’amour c’est comme un jour (Arr. for Cello and Orchestra by Martin Ulikhanyan) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
Suite for Solo Cello: III. Intermezzo e danza finale | Gaspar Cassadó, Santiago Canon Valencia | G Major | 1 | 9B | 114 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Les Augustales: Le théâtre s’obscurcit, on entend le tonnerre | François Rebel, François Francoeur, Théotime Langlois de Swarte, Justin Taylor | B Minor | 4 | 10A | 119 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Cello Concerto No. 1 in F Major: III. Largo | Nicola Fiorenza, Ophélie Gaillard, Pulcinella Orchestra | D♭ Minor | 1 | 12A | 133 BPM |