Johan Helmich Roman, Höör Barock, Dan Laurin made "Golovinmusiken, BeRI 1: No. 13, Menuet" available on March 1, 2019. The duration of Golovinmusiken, BeRI 1: No. 13, Menuet is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Golovinmusiken, BeRI 1: No. 13, Menuet's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johan Helmich Roman, Höör Barock, Dan Laurin's "Johan Helmich Roman: Golovinmusiken, BeRI 1" album is number 13 out of 45. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Golovinmusiken, BeRI 1: No. 13, Menuet's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Golovinmusiken, BeRI 1: No. 13, Menuet by Johan Helmich Roman, Höör Barock, Dan Laurin to be Allegro (fast, quick, and bright) because the track has a tempo of 139 テンポ, a half-time of 70テンポ, and a double-time of 278 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Violin in G Minor, BWV 1056r: II. Largo | Johann Sebastian Bach, Combattimento | B♭ Major | 1 | 6B | 120 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: II. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerto a 5 in E Minor, Op. 5, No. 9: II. Adagio - Presto - Adagio | Tomaso Albinoni, Bela Banfalvi, Budapest Strings, Karoly Botvay | C Major | 3 | 8B | 109 BPM | ||
Trio Sonata in C Major, BuxWV 256: V. Adagio - Allegro | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Sinfonia No. 9 in G Minor, RosS 533.9: V. Menuet | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 1 | 11A | 98 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Piccolo Concerto in A Minor, RV 445: II. Larghetto | Antonio Vivaldi, Jennifer Bouton, Jory Vinikour, Ilana Setapen, John Bian, Alejandro Duque, Susan Babini, Andrew Raciti | C Major | 0 | 8B | 139 BPM | ||
Flute Sonata No. 12 in D Major: III. Con affetto | Johan Helmich Roman, Maria Bania, Thomas Pitt, Jane Gower, Lars Ulrik Mortensen | B♭ Minor | 0 | 3A | 0 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Oboe Concerto in D Major, Op. 7 No. 6: I. Allegro | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | D Major | 4 | 10B | 103 BPM |