"Ode en douze parties: XI. Qui sont les vrais Chrestiens, et en quoy gist leur fiancé" by Paschal de l'Estocart, Bruno Boterf, Marc Busnel, Jean-Christophe Clair, Catherine Greuillet, Hugues Primard had its release date on 2007. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Ode en douze parties: XI. Qui sont les vrais Chrestiens, et en quoy gist leur fiancé's duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 28 in De L'Estocart: Deux cœurs aimants by Paschal de l'Estocart, Ludus Modalis. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Ode en douze parties: XI. Qui sont les vrais Chrestiens, et en quoy gist leur fiancé is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ode en douze parties: XI. Qui sont les vrais Chrestiens, et en quoy gist leur fiancé by Paschal de l'Estocart, Bruno Boterf, Marc Busnel, Jean-Christophe Clair, Catherine Greuillet, Hugues Primard is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dieu est regnant | Paschal de l'Estocart, Bruno Boterf, Vincent Bouchot, Jean-Christophe Clair, Jean-Michel Durang, Hugues Primard, Sophie Toussaint | B Minor | 0 | 10A | 126 BPM | ||
Canzona prima a 2 bassi | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Major | 2 | 10B | 75 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
Lassus: Alma Redemptoris Mater | Orlande de Lassus, Peter Phillips, The Tallis Scholars | B♭ Major | 1 | 6B | 69 BPM | ||
Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 63 BPM | ||
Tallis: Salvator Mundi, Salva Nos II | The Tallis Scholars, Peter Phillips | D Major | 1 | 10B | 81 BPM | ||
Che farala che dirala | Vincenzo Capirola, Christopher Wilson | F Minor | 0 | 4A | 97 BPM | ||
Requiem [in memoriam Josquin Desprez] à 6 voix: III. Graduale - Si ambulem | Jean Richafort, Huelgas Ensemble | A Minor | 2 | 8A | 81 BPM |