"The Planets, Op. 32: II. Venus, the Bringer of Peace" by Tbilisi Symphony Orchestra was released on October 28, 2008. Since The Planets, Op. 32: II. Venus, the Bringer of Peace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "The Planets, Op.32". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, The Planets, Op. 32: II. Venus, the Bringer of Peace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Planets, Op. 32: II. Venus, the Bringer of Peace by Tbilisi Symphony Orchestra having a テンポ of 95 with a half-time of 48 テンポ and a double-time of 190 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Requiem in D Minor, K. 626: VII. Confutatis | Nikolaus Harnoncourt, Vienna State Opera Chorus | C Major | 0 | 8B | 116 BPM | ||
Romeo and Juliet, Op.64: Montagues and Capulets | Sergei Prokofiev, Rotterdam Philharmonic Orchestra, Edo de Waart | A Minor | 1 | 8A | 113 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Finlandia, Op. 26 | London Philharmonic Orchestra | A♭ Major | 2 | 4B | 137 BPM | ||
Concerto for Trumpet and Orchestra in E-Flat Major: III. Allegro vivace | Joseph Haydn, Crispian Steele-Perkins, English Chamber Orchestra | G Major | 0 | 9B | 110 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Caprice No. 24 in A Minor: Tema con variazioni, quasi presto | Niccolò Paganini, James Ehnes | A Minor | 1 | 8A | 76 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Libor Pešek, Slovac Philharmony | F♯ Minor | 1 | 11A | 156 BPM | ||
Concerto No. 21 in C Major for Piano and Orchestra, K. 467, "Elvira Madigan": II. Andante | Tbilisi Symphony Orchestra, Povilas Stravinsky | E Major | 0 | 12B | 79 BPM | ||
Carmina Burana: O Fortuna | Carl Orff, Anne Margrethe Dahl, Blazej Grek, Jan Wolanski, Artur Rubinstein Philharmonic Choir, Arthur Rubinstein Philharmonic Orchestra, Ilya Stupel | D Minor | 2 | 7A | 135 BPM |