"Albinoni: Concerto a cinque in D Major, Op. 10 No. 6: II. Andante" by Tomaso Albinoni, Claudio Scimone, Piero Toso, I Solisti Veneti was released on 1970. With Albinoni: Concerto a cinque in D Major, Op. 10 No. 6: II. Andante being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 23 in Albinoni's Adagios by Tomaso Albinoni, Claudio Scimone, I Solisti Veneti. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Albinoni: Concerto a cinque in D Major, Op. 10 No. 6: II. Andante is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Albinoni: Concerto a cinque in D Major, Op. 10 No. 6: II. Andante by Tomaso Albinoni, Claudio Scimone, Piero Toso, I Solisti Veneti is Vivace (lively and fast), since this song has a tempo of 161 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM | ||
Concerto for Oboe and Strings in D minor (arr. Lauschmann): II. Adagio | Ray Still, Richard Stamp, Academy Of London | C Minor | 0 | 5A | 69 BPM | ||
Quintet No. 4 In D-Major For Strings And Guitar ("Fandango"), (G. 448): 2. Allegro Maestoso | Luigi Boccherini, Rolf Lislevand | A Major | 1 | 11B | 76 BPM | ||
Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 120 BPM | ||
Cello Concerto in D Major, G. 478: III. Rondo | Luigi Boccherini, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | D♭ Major | 1 | 3B | 167 BPM | ||
Concerto in G Minor: II. Largo | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | B♭ Major | 1 | 6B | 137 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
Concerto in G Minor: III. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 136 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM |