Isaac Albéniz, Laura Lootens's 'Suite Española No. 1, Op. 47 (Arr. Laura Lootens for Solo Guitar): No. 4, Cádiz (Saeta)' came out on September 15, 2023. With this song being about 5 minutes long, at 4:48, "Suite Española No. 1, Op. 47 (Arr. Laura Lootens for Solo Guitar): No. 4, Cádiz (Saeta)" by Isaac Albéniz, Laura Lootens is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 12 in Albéniz: Suite Española, Malagueña and Other Works by Isaac Albéniz, Laura Lootens. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Suite Española No. 1, Op. 47 (Arr. Laura Lootens for Solo Guitar): No. 4, Cádiz (Saeta) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite Española No. 1, Op. 47 (Arr. Laura Lootens for Solo Guitar): No. 4, Cádiz (Saeta) by Isaac Albéniz, Laura Lootens is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebestraum, S. 541, No. 3 | Franz Liszt, Evgeny Kissin | E♭ Major | 0 | 5B | 75 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Gennady Rozhdestvensky, Alain Meunier, Amy Flammer, Didier Benetti, Jean Dupouy, Jeanne-Marie Conquier, Philippe Pierlot, Viktoria Postnikova | A Minor | 1 | 8A | 134 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Yepes: Romance Anónimo (from Jeux Interdits) | Narciso Yepes, Pierre Laniau | E Major | 1 | 12B | 101 BPM | ||
Chôros No. 1, W161 | Heitor Villa-Lobos, Mickael Viegas | E Minor | 2 | 9A | 93 BPM | ||
Schubert: Schwanengesang, D. 957: No. 4 Ständchen | Franz Schubert, Anneleen Lenaerts, Dionysis Grammenos | C Minor | 0 | 5A | 131 BPM | ||
Sonata, Op. 61: II. Andante | Joaquín Turina, Jan Depreter | A Minor | 0 | 8A | 106 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Les sauvages | Jean-Philippe Rameau, Víkingur Ólafsson | G Minor | 3 | 6A | 118 BPM | ||
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM |