"Solitaire: No. 6, Sarabande" by Malcolm Arnold, London Philharmonic Orchestra was released on August 1, 2006. Solitaire: No. 6, Sarabande is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The song is number 9 out of 22 in Arnold: Orchestral Works by Malcolm Arnold, London Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Solitaire: No. 6, Sarabande is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Solitaire: No. 6, Sarabande by Malcolm Arnold, London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | C Major | 1 | 8B | 124 BPM | ||
The Firebird Suite (1919 Version): Finale - Remastered | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 78 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
Clarinet Concerto: I. Slowly and expressively - | Aaron Copland, David Singer, Far Cry, A | D Minor | 0 | 7A | 67 BPM | ||
String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento | Antonín Dvořák, Škampa Quartet | D Minor | 0 | 7A | 87 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Rodrigo: Concierto de Aranjuez: I. Allegro con spirito | Joaquín Rodrigo, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | G Major | 2 | 9B | 125 BPM | ||
Danse Sacrée et Danse Profane, L. 103: II. Danse Profane | Claude Debussy, Nieuw Sinfonietta Amsterdam, Ernitine Stoop | A Major | 0 | 11B | 73 BPM | ||
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | D Major | 3 | 10B | 99 BPM |