"Cannebas" by Franz von Suppé, Slovak State Philharmonic Orchestra, Kosice was released on October 20, 1998. The duration of Cannebas is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Cannebas's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "SUPPE: Overtures, Vol. 5". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Cannebas's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cannebas by Franz von Suppé, Slovak State Philharmonic Orchestra, Kosice having a テンポ of 133 with a half-time of 66 テンポ and a double-time of 266 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roman Carnival Overture, Op. 9, H. 95 | Hector Berlioz, Charles Münch | A Major | 3 | 11B | 90 BPM | ||
Wacht an der Donau! | Carl Michael Ziehrer, Hans Schadenbauer, Original C.M. Ziehrer Orchestra | D Major | 3 | 10B | 112 BPM | ||
Die Perle von Iberien: Estudiantina Polka | Joseph Hellmesberger, Jr., Czech Philharmonic Chamber Orchestra, John Georgiadis | B♭ Major | 0 | 6B | 153 BPM | ||
Galop Infernal (Can-Can) - De La Opera "Orfeo En Los Infiernos" | Jacques Offenbach, Inma Shara | D Major | 4 | 10B | 74 BPM | ||
BOCCHERINI-MINUET FROM STRING QUINTET | 101 Strings Orchestra | A Major | 1 | 11B | 86 BPM | ||
Fucik : Florentiner-Marsch Op.214 | Julius Fučík, Václav Neumann, Czech Philharmonic Orchestra | F Major | 4 | 7B | 125 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | E♭ Major | 6 | 5B | 110 BPM | ||
Solomon, HWV 67: Sinfonia "Arrival of the Queen of Sheba" | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | B♭ Major | 3 | 6B | 119 BPM |