"Canción de Cuna (Berceuse) - Leo Brouwer" by Miloš Karadaglić was released on September 13, 2019. The duration of Canción de Cuna (Berceuse) - Leo Brouwer is about 3 minutes long, at 3:22. Based on our data, "Canción de Cuna (Berceuse) - Leo Brouwer" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Sound Of Silence". In this album, this song's track order is #12. In terms of popularity, Canción de Cuna (Berceuse) - Leo Brouwer is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Canción de Cuna (Berceuse) - Leo Brouwer by Miloš Karadaglić having a テンポ of 95 with a half-time of 48 テンポ and a double-time of 190 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alfonsina y el mar (Arr. V. Coves for guitar) | Ariel Ramírez, Vicente Coves | E Minor | 0 | 9A | 78 BPM | ||
Canción y danza: Danza No. 1 | Antonio Ruiz Pipó, Wolfgang Weigel | D Major | 2 | 10B | 118 BPM | ||
L’art nouveau du chant appliqué, Vol. 3: No. 3, Beautiful Dreamer (After Foster) | Ronald Stevenson, Christopher Guild | E♭ Major | 0 | 5B | 99 BPM | ||
Balletto | Adam Holzman, Manuel Ponce | A Major | 1 | 11B | 74 BPM | ||
Three Postludes (1981/82): Postlude No. 3 | Valentin Silvestrov, Anja Lechner, Silke Avenhaus | D Major | 0 | 10B | 70 BPM | ||
Francisco Tárrega: Recuerdos De La Albambra | Julian Bream | A Major | 2 | 11B | 149 BPM | ||
Gymnopédie No. 1 (Arr. A. de la Vega for Flute & Piano) | Erik Satie, Ana de la Vega, Paul Rivinius | A♭ Major | 0 | 4B | 106 BPM | ||
Les cyclopes, RCT 3/8 (Arr. Grizard for Guitar) | Jean-Philippe Rameau, Raphaël Feuillâtre | G Major | 1 | 9B | 106 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): III. Sevilla (Sevillanas) | Jason Vieaux, Isaac Albéniz | G Major | 2 | 9B | 111 BPM | ||
Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM |