Béla Bartók, Il Giardino Armonico, Giovanni Antonini's 'Romanian Folk Dances, SZ. 68, BB 76: I. Joc cu bǎtǎ (Allegro moderato)' came out on December 20, 2019. With Romanian Folk Dances, SZ. 68, BB 76: I. Joc cu bǎtǎ (Allegro moderato) being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Since Romanian Folk Dances, SZ. 68, BB 76: I. Joc cu bǎtǎ (Allegro moderato) only contains only one song in the album, we like to consider this song as a single. In terms of popularity, Romanian Folk Dances, SZ. 68, BB 76: I. Joc cu bǎtǎ (Allegro moderato) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romanian Folk Dances, SZ. 68, BB 76: I. Joc cu bǎtǎ (Allegro moderato) by Béla Bartók, Il Giardino Armonico, Giovanni Antonini having a テンポ of 112 with a half-time of 56 テンポ and a double-time of 224 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana | Manuel de Falla, Rohan De Saram, Junko Yamamoto | A Major | 0 | 11B | 64 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM |