"3 Mélodies, Op. 7 - Arr. Hazell: 1. Après un rêve" by Gabriel Fauré, Sheku Kanneh-Mason, Members Of The BBC National Orchestra Of Wales, Members of the English Chamber Orchestra, Members Of The Philharmonia Orchestra, Christopher Warren-Green was released on May 12, 2022. The duration of 3 Mélodies, Op. 7 - Arr. Hazell: 1. Après un rêve is about 3 minutes long, at 3:27. Based on our data, "3 Mélodies, Op. 7 - Arr. Hazell: 1. Après un rêve" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Sheku Kanneh-Mason's "Melody" album is number 5 out of 5. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, 3 Mélodies, Op. 7 - Arr. Hazell: 1. Après un rêve is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 3 Mélodies, Op. 7 - Arr. Hazell: 1. Après un rêve by Gabriel Fauré, Sheku Kanneh-Mason, Members Of The BBC National Orchestra Of Wales, Members of the English Chamber Orchestra, Members Of The Philharmonia Orchestra, Christopher Warren-Green to be Andante (at a walking pace) because the track has a tempo of 96 テンポ, a half-time of 48テンポ, and a double-time of 192 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Slumber Song of the Madonna (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 111 BPM | ||
Apres un reve, Op. 7, No. 1 (arr. for flute and harp) | Anonymous, Gabriel Fauré, Janos Balint, Deborah Sipkai | F Major | 1 | 7B | 120 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Zhu Xiao-Mei | F Major | 0 | 7B | 65 BPM | ||
Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio | Anton Arensky, The Rembrandt Trio | G Minor | 0 | 6A | 90 BPM | ||
Holberg Suite, Op. 40: II. Sarabande (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Major | 0 | 9B | 107 BPM | ||
Ave Maria, D. 839, Op. 52, No. 6 (Ellens Gesang III from "Ein Fräulein vom See") [Arr. for Cello and Piano] | Franz Schubert, Yo-Yo Ma, Kathryn Stott | B♭ Major | 1 | 6B | 89 BPM | ||
Ave Maria, S. 558/12 | Franz Schubert, Lang Lang | B♭ Major | 0 | 6B | 64 BPM | ||
Fauré: Suite de Pelléas et Mélisande, Op. 80: III. Sicilienne (Arr. for Cello and Orchestra) | Gabriel Fauré, Han-Na Chang, Leonard Slatkin, Philharmonia Orchestra | E♭ Major | 1 | 5B | 72 BPM | ||
Requiem, Op. 48: 4. Pie Jesu | Gabriel Fauré, Jonathon Bond, Stephen Cleobury, Academy of St. Martin in the Fields, George Guest | D Minor | 0 | 7A | 170 BPM |