"Ravel: Daphnis et Chloé, M. 57, Pt. 3: Lever du jour" by Maurice Ravel, Philippe Jordan, Choeur du Théatre National de l'Opéra de Paris, Orchestre de l'Opéra National de Paris was released on April 24, 2015. With this song being about 5 minutes long, at 5:01, "Ravel: Daphnis et Chloé, M. 57, Pt. 3: Lever du jour" by Maurice Ravel, Philippe Jordan, Choeur du Théatre National de l'Opéra de Paris, Orchestre de l'Opéra National de Paris is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Ravel : Daphnis & Chloé, La Valse". In this album, this song's track order is #13. Ravel: Daphnis et Chloé, M. 57, Pt. 3: Lever du jour is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ravel: Daphnis et Chloé, M. 57, Pt. 3: Lever du jour by Maurice Ravel, Philippe Jordan, Choeur du Théatre National de l'Opéra de Paris, Orchestre de l'Opéra National de Paris having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Symphonie Fantastique, Op.14, H 48: 5b. Songe d'une nuit du Sabbat - Dies irae | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 1 | 6A | 63 BPM | ||
Violin Concerto in D Major, Op. posth., No. 2: Adagio | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 104 BPM | ||
すずさん | Kotringo | F♯ Minor | 1 | 11A | 116 BPM | ||
On Hearing the First Cuckoo in Spring | Frederick Delius, Michaela Rózsa Růžičková, Czech Symphony Orchestra | G Major | 2 | 9B | 110 BPM | ||
Sorrowful Stone | Akira Senju | B♭ Major | 8 | 6B | 119 BPM | ||
Archer's Books | Elmer Bernstein | D Minor | 3 | 7A | 88 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
II. Passacaglia "Death of Falstaff" | William Walton, Michaela Rózsa Růžičková, Czech Symphony Orchestra | E Minor | 1 | 9A | 109 BPM | ||
Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM |