"Undine: 5. Andante con moto" by Hans Werner Henze, London Sinfonietta, Oliver Knussen was released on January 1, 1997. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Hans Werner Henze, London Sinfonietta, Oliver Knussen's "Henze: Undine" album is number 8 out of 57. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Undine: 5. Andante con moto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Undine: 5. Andante con moto by Hans Werner Henze, London Sinfonietta, Oliver Knussen to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 1. Leicht zart | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | B♭ Minor | 0 | 3A | 90 BPM | ||
Symphonic Dances, Op. 64: III. Allegro giocoso | Edvard Grieg, Bergen Philharmonic Orchestra, Edward Gardner | F Minor | 1 | 4A | 73 BPM | ||
Daphnis et Chloé, M. 57, Première Partie. Une prairie à la lisière d'un bois sacré: Vif – | Maurice Ravel, Sinfonia Of London, John Wilson | D♭ Major | 3 | 3B | 86 BPM | ||
Music of the Spheres, BVN 128: IV. Like the Refraction of Sunbeams in the Waves | Rued Langgaard, Danish National Symphony Orchestra, Thomas Dausgaard | D Major | 2 | 10B | 168 BPM | ||
I Sentimenti di C.P.E Bach: XI. Allegro | Hans Werner Henze, Xavier De Maistre, Philippe Bernold, Orchestre d'Auvergne, Arie Van Beek | A Major | 0 | 11B | 105 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": I. Introduction | Igor Stravinsky, San Francisco Symphony, Esa-Pekka Salonen | A Major | 0 | 11B | 66 BPM | ||
25 Études faciles et progressives, Op. 100: No. 9, La chasse | Friedrich Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 78 BPM | ||
A Child of our Time, Part III: Preludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Three Doors (II) - Concert Performance | Ümit Armağan | C Minor | 2 | 5A | 133 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 0 | 5B | 83 BPM |