"Carmina Burana: Ego Sum Abbas" by Sofia Philharmonic Orchestra, Bulgarian Choir Cappella was released on January 1, 2003. With Carmina Burana: Ego Sum Abbas being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 25 in Carl Orff: Carmina Burana by Sofia Philharmonic Orchestra. In terms of popularity, Carmina Burana: Ego Sum Abbas is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmina Burana: Ego Sum Abbas by Sofia Philharmonic Orchestra, Bulgarian Choir Cappella is Andante (at a walking pace), since this song has a tempo of 92 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Hungarian Rhapsody No. 2 in C Sharp Minor, S. 244 | Franz Liszt, Roberto Szidon | D♭ Major | 3 | 3B | 102 BPM | ||
Radetzky-Bankett-Marsch (fragment) | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | C Major | 1 | 8B | 101 BPM | ||
Mass No. 3 in B-Flat Major, Op. 141, D. 324: Benedictus | Franz Schubert, Valentina Hristova, Maria Stoicheva, Ivan Moutafchiev, Stefan Vassilev, Bulgarian National Svetoslav Obretenov Choir, Sofia Philharmonic Orchestra, Georgi Robev | C Major | 1 | 8B | 124 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Carmen Suite: Entr'acte 3 (Arr. by Jan Valta) | Georges Bizet, Marc Reift, Philharmonic Wind Orchestra, Marc Reift Orchestra | C Minor | 4 | 5A | 123 BPM | ||
Die Fledermaus Waltz | Wiener Symphoniker | D Major | 5 | 10B | 132 BPM | ||
Fidelio, Op. 72: Act I: March | Ludwig van Beethoven, Reiner Goldberg, Bulgarian National Svetoslav Obretenov Choir, Budapest Symphony Orchestra, Sofia Philharmonic Orchestra, Staatskapelle Berlin, Tamas Pal, Siegfried Kurz, Georgi Robev | D♭ Major | 0 | 3B | 62 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Mass No. 2 in G Major, D. 167: Benedictus | Franz Schubert, Roumyana Bobeva, Ognyan Vassilev, Peter Yanukov, Bulgarian National Svetoslav Obretenov Choir, Sofia Philharmonic Orchestra, Georgi Robev | C Major | 1 | 8B | 124 BPM |