"Il canto" by Romano Musumarra, Jonas Kaufmann, Asher Fisch was released on October 7, 2016. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 18 in Dolce Vita by Jonas Kaufmann. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Il canto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il canto by Romano Musumarra, Jonas Kaufmann, Asher Fisch is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, WD 31 / Act 2: La fleur que tu m'avais jetée | Georges Bizet, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | E♭ Major | 3 | 5B | 96 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Per la gloria d'adorarvi | Giovanni Bononcini, Ramón Vargas | A Major | 2 | 11B | 112 BPM | ||
La fantasia | Anna Netrebko | A Minor | 4 | 8A | 72 BPM | ||
Verdi: Otello: Atto Terzo: Dio! mi potevi scagliar tutti i mali | Giuseppe Verdi, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 79 BPM | ||
Lucia di Lammermoor Tu che a dio spiegasti l'ali | Mario del Monaco | D♭ Major | 2 | 3B | 75 BPM | ||
Loreley / Act 2: "Amor, celeste ebbrezza" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | G Major | 1 | 9B | 81 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B Minor | 9 | 10A | 180 BPM | ||
Le roi d'Ys, Acte III, Scène 1:"Puisqu'on ne peut fléchir... Vainement, ma bien-aimée" | Édouard Lalo, Jonas Kaufmann, Bertrand de Billy | A Major | 1 | 11B | 88 BPM | ||
Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM |