"Suite No. 5 In G Minor (after BWV 995 & 1011): IV. Sarabande" by Johann Sebastian Bach, Nigel North was released on September 1, 1996. The duration of Suite No. 5 In G Minor (after BWV 995 & 1011): IV. Sarabande is about 3 minutes long, at 3:04. Based on our data, "Suite No. 5 In G Minor (after BWV 995 & 1011): IV. Sarabande" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 18 in Bach on the Lute, Vol. 4 by Johann Sebastian Bach, Nigel North. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Suite No. 5 In G Minor (after BWV 995 & 1011): IV. Sarabande is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite No. 5 In G Minor (after BWV 995 & 1011): IV. Sarabande by Johann Sebastian Bach, Nigel North is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Matthäus-Passion, BWV 244, Pt. 2: No. 46, Chorale. "Wie wunderbarlich ist doch diese Strafe!" (Chorus) | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | A♭ Major | 1 | 4B | 74 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: II. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 3 | 10B | 145 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Tambourin | Jean-Philippe Rameau, Víkingur Ólafsson | E Minor | 3 | 9A | 148 BPM | ||
An Wasserflüssen Babylon, BWV 653b | Johann Sebastian Bach, Phantasm | A♭ Minor | 0 | 1A | 132 BPM | ||
Dowland's Tears (arr. N. North of I Saw My Lady Weep) | Nigel North | F♯ Minor | 0 | 11A | 106 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Bassoon Concerto in C Minor: II. Vivace | Christoph Graupner, Paolo Tognon, Capella Savaria, Pál Németh | B Minor | 1 | 10A | 116 BPM |