"L'enfant prodigue (The Prodigal Son), Op. 46: Scene 1: L'enjoleuse (The seductress)" by Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop was released on October 1, 2013. With this song being about 5 minutes long, at 4:58, "L'enfant prodigue (The Prodigal Son), Op. 46: Scene 1: L'enjoleuse (The seductress)" by Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Prokofiev: Symphony No. 4 (revised 1947 version) & L'enfant prodigue (The Prodigal Son)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, L'enfant prodigue (The Prodigal Son), Op. 46: Scene 1: L'enjoleuse (The seductress) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'enfant prodigue (The Prodigal Son), Op. 46: Scene 1: L'enjoleuse (The seductress) by Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop having a テンポ of 108 with a half-time of 54 テンポ and a double-time of 216 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2, Op. 9, "Antar": IV. Allegretto - Adagio | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | B Major | 2 | 1B | 100 BPM | ||
Symphonie fantastique, Op. 14: 4. Marche au supplice. Allegretto non troppo | Hector Berlioz, Orchestre de l'Opéra Bastille, Myung-Whun Chung | G Minor | 2 | 6A | 168 BPM | ||
String Quartet No. 1 in E Minor, "From my life": II. Allegro moderato - A la polka | Bedřich Smetana, Moyzes Quartet | F Minor | 1 | 4A | 91 BPM | ||
Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen (How amiable are thy tabernacles) | Johannes Brahms, Anna Lucia Richter, Stephan Genz, MDR Leipzig Radio Chorus, Leipzig MDR Symphony Orchestra, Marin Alsop | E♭ Major | 1 | 5B | 122 BPM | ||
Shostakovich: Symphony No. 1 in F Minor, Op. 10: III. Lento | Dmitri Shostakovich, Mariss Jansons, Berliner Philharmoniker | E♭ Major | 1 | 5B | 78 BPM | ||
The Firebird: 14. Lullaby of the Firebird | Igor Stravinsky, Detroit Symphony Orchestra, Antal Doráti | E♭ Minor | 0 | 2A | 65 BPM | ||
La Revue de cuisine: 2. Tango | Bohuslav Martinů, Saint Paul Chamber Orchestra, Christopher Hogwood | F Major | 0 | 7B | 90 BPM | ||
Divertimento: I. Sennets and Tuckets: Allegro non troppo, ma con brio | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Enigma Variations: Variation VIII. W.N - Allegretto | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Major | 0 | 9B | 106 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM |