Eugène Ysaÿe, Leonidas Kavakos's 'Violin Sonata in E Major, Op. 27, No. 6: Sonata No. 6 in E Major' came out on December 1, 1999. Since Violin Sonata in E Major, Op. 27, No. 6: Sonata No. 6 in E Major is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Ysaye: Six Sonatas for Solo Violin, Op. 27 by Eugène Ysaÿe. The song's track number on the album is #15 out of 15 tracks. Based on our data, Sweden was the country where this track was produced or recorded. Violin Sonata in E Major, Op. 27, No. 6: Sonata No. 6 in E Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Violin Sonata in E Major, Op. 27, No. 6: Sonata No. 6 in E Major by Eugène Ysaÿe, Leonidas Kavakos has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Violin Sonata in E Major, Op. 27, No. 6: Sonata No. 6 in E Major being at 80 テンポ, the half-time would be 40 テンポ with a double-time of 160 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partita for Violin Solo No. 1 in B Minor, BWV 1002: 3. Courante | Johann Sebastian Bach, Hilary Hahn | B Minor | 1 | 10A | 130 BPM | ||
Paganini variations: Variation 14 | Eugène Ysaÿe, Laurent Korcia, Haruko Ueda | E Major | 1 | 12B | 87 BPM | ||
String Quartet No. 12 In F Major, Op. 96, B.179 - "American": 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Emerson String Quartet | F Major | 1 | 7B | 84 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marziale: Andante - Allegro | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 2 | 10B | 78 BPM | ||
Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: I. Andante | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | B♭ Major | 1 | 6B | 98 BPM | ||
Khachaturian: Violin Concerto in D Minor: III. Allegro vivace | Aram Khachaturian, Itzhak Perlman, Zubin Mehta, Israel Philharmonic Orchestra | D Major | 3 | 10B | 156 BPM | ||
6 Sonatas for Violin Solo, Op. 27 / Sonata No. 5 in G Major: II. Danse rustique | Eugène Ysaÿe, Hilary Hahn | E Minor | 1 | 9A | 80 BPM | ||
Trio in A Minor, Op. 114: II. Adagio | Johannes Brahms, Martin Fröst, Roland Pöntinen, Torleif Thedéen | D Major | 0 | 10B | 93 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: III. Allegro - Più presto | Johannes Brahms, Mischa Maisky, Pavel Gililov | G Major | 0 | 9B | 72 BPM |