"30 Little Chorale Preludes, Op. 135a: No. 30. Wunderbarer Konig" by Max Reger, Martin Welzel was released on May 27, 2008. With 30 Little Chorale Preludes, Op. 135a: No. 30. Wunderbarer Konig being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Reger, M.: Organ Works, Vol. 8". In this album, this song's track order is #24. Furthermore, we believe that the track originated from Hong Kong. 30 Little Chorale Preludes, Op. 135a: No. 30. Wunderbarer Konig is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 30 Little Chorale Preludes, Op. 135a: No. 30. Wunderbarer Konig by Max Reger, Martin Welzel having a テンポ of 67 with a half-time of 34 テンポ and a double-time of 134 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations & Fugue on a Theme by Telemann, Op. 134: Var. 22, Vivace | Max Reger, Marc-André Hamelin | B♭ Major | 2 | 6B | 169 BPM | ||
Vader wij eren | André Knevel | C Major | 0 | 8B | 66 BPM | ||
On kaunis synnyinmaamme | SRK Instrumentaali, Lumme Brass, Lauri Pelkonen, Lauri-Kalle Kallunki | B♭ Major | 1 | 6B | 64 BPM | ||
Missa Brevis, for Chorus and Organ: I. Introitus | Zoltán Kodály, Netherlands Chamber Choir, Edgar Krapp, Uwe Gronostay | B♭ Major | 0 | 6B | 0 BPM | ||
Canzona in C Major, FbWV 305, Pt. 1 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Psalm 72, "Zijn naam moet eeuwig eer ontvangen" - Voorspel en Koraal | Willem Hendrik Zwart | F Major | 4 | 7B | 138 BPM | ||
Diamond Dawn | Trayus Digital | D Minor | 1 | 7A | 80 BPM | ||
Variations & Fugue on a Theme by Telemann, Op. 134: Var. 10, Quasi adagio | Max Reger, Marc-André Hamelin | B♭ Major | 2 | 6B | 169 BPM | ||
Gebed voor de vrede | Dub de Vries, Liselot Fennema, Anke Anderson | G Major | 0 | 9B | 68 BPM | ||
Messa della Domenica: Kyrie della Domenica | Girolamo Frescobaldi, Nova Schola Gregoriana, Sergio Vartolo, Alberto Turco | D Minor | 0 | 7A | 69 BPM |