Giacomo Puccini, Tito Gobbi, Dario Caselli, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata's 'Puccini: Tosca, Act 2 Scene 1: "Ha più forte sapore" (Scarpia, Sciarrone)' came out on 1953. With Puccini: Tosca, Act 2 Scene 1: "Ha più forte sapore" (Scarpia, Sciarrone) being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Puccini : Tosca". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Puccini: Tosca, Act 2 Scene 1: "Ha più forte sapore" (Scarpia, Sciarrone) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Tosca, Act 2 Scene 1: "Ha più forte sapore" (Scarpia, Sciarrone) by Giacomo Puccini, Tito Gobbi, Dario Caselli, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata having a テンポ of 88 with a half-time of 44 テンポ and a double-time of 176 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor / Act 2: "Se tradirmi tu potrai" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 4 | 11B | 98 BPM | ||
Norma / Act 1: Oh! di qual sei tu vittima | Vincenzo Bellini, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 1 | 6B | 122 BPM | ||
Leoncavallo: I pagliacci, Act 2: "Ah! Colombina, il tenero" (Beppe) | Ruggero Leoncavallo, Tullio Serafin, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 3 | 6B | 75 BPM | ||
Lucia di Lammermoor / Act 2: "Soffriva nel pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 4 | 10B | 108 BPM | ||
Cherubini: Medea, Act 1: "O bella Glauce" (Chorus, Glauce) | Luigi Cherubini, Coro del Teatro alla Scala di Milano, Renata Scotto, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | D Major | 2 | 10B | 116 BPM | ||
Rossini: l barbiere di Siviglia, Act 1: "Dunque io son" (Figaro, Rosina) | Gioachino Rossini, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra | G Major | 1 | 9B | 124 BPM | ||
Tosca / Act 2: "Quanto? Quanto? Il prezzo!" | Giacomo Puccini, Mirella Freni, Sherrill Milnes, National Philharmonic Orchestra, Nicola Rescigno | D Minor | 3 | 7A | 166 BPM | ||
Cavalleria rusticana: "Gli aranci olezzano sui verdi margini" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A Major | 1 | 11B | 69 BPM | ||
Bellini: Norma, Act 2: "Non parti?" (Coro) | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 0 | 4B | 74 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM |