"2 Romanian Rhapsodies, Op. 11: Romanian Rhapsody No. 1 in A Major" by George Enescu, Royal Scottish National Orchestra, Neeme Järvi was released on July 1, 1991. 2 Romanian Rhapsodies, Op. 11: Romanian Rhapsody No. 1 in A Major appears to be safe for all ages as it is not explicit. The song is number 10 out of 11 in Bartok: Hungarian Pictures / Weiner: Hungarian Folkdance / Enescu: Romanian Rhapsodies by Hugh Bean, Neeme Järvi. In terms of popularity, 2 Romanian Rhapsodies, Op. 11: Romanian Rhapsody No. 1 in A Major is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 2 Romanian Rhapsodies, Op. 11: Romanian Rhapsody No. 1 in A Major by George Enescu, Royal Scottish National Orchestra, Neeme Järvi is Andante (at a walking pace), since this song has a tempo of 90 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hamnöy 1976 I | Christian Lindberg, MIN Ensemble | A♭ Major | 6 | 4B | 99 BPM | ||
Gavotte, Op. 67, No. 2 | David Popper, Peter Breiner, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Gerhard Markson | F Major | 1 | 7B | 76 BPM | ||
Norwegian Dances, Op. 35: No. 2 in A Major | Edvard Grieg, Hans Sitt, Iceland Symphony Orchestra, Bjarte Engeset | A Major | 0 | 11B | 106 BPM | ||
Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig | Robert Schumann, Antwerp Symphony Orchestra, Philippe Herreweghe | E♭ Major | 2 | 5B | 121 BPM | ||
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | ||
Suite No. 2 in D Major, Op. 10: III. Pavane | George Enescu, Matei Varga | B Major | 0 | 1B | 69 BPM | ||
3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | G Major | 0 | 9B | 74 BPM | ||
Scheherazade, Op. 35: I. Largo e maestoso | Nikolai Rimsky-Korsakov, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 74 BPM | ||
Suite for Violin and Orchestra: I. Pastorale. Andante quasi Allegretto | Frederick Delius, Tasmin Little, Andrew Davis, BBC Philharmonic Orchestra | E♭ Major | 2 | 5B | 69 BPM |