Matteo Carcassi, Lucio Matarazzo's 'Carcassi Op.60 N.7 Allegro' came out on March 16, 2012. With Carcassi Op.60 N.7 Allegro being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Matteo Carcassi, Lucio Matarazzo's "Matteo carcassi: 25 etudes mélodiques progressives op. 60 - 6 caprices op.26" album is number 7 out of 31. On top of that, Italy appears to be the country where this track was created. Based on our statistics, Carcassi Op.60 N.7 Allegro's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Carcassi Op.60 N.7 Allegro by Matteo Carcassi, Lucio Matarazzo to be Allegro (fast, quick, and bright) because the track has a tempo of 144 テンポ, a half-time of 72テンポ, and a double-time of 288 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Catedral: Preludio Saudade | Berta Rojas | B Minor | 1 | 10A | 103 BPM | ||
Prelude from First Cello Suite - J.S. Bach | Robert Westaway | D Major | 3 | 10B | 112 BPM | ||
6 Etudes: Leccion No. 15 | Norbert Kraft | G Major | 0 | 9B | 114 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Song without Words, Op. 19, No. 6, Venetian Boat Song I | Felix Mendelssohn, Gerald Garcia | D Minor | 0 | 7A | 133 BPM | ||
Koyunbaba, Op. 19: III. Cantabile | Carlo Domeniconi, Celil Refik Kaya | F♯ Minor | 0 | 11A | 116 BPM | ||
9 Studies: No. 1. Allegro agitato | Charles-Auguste de Bériot, Bella Hristova | G Major | 1 | 9B | 129 BPM | ||
36 Caprices, Op. 20: No. 10, Allegretto Con Moto | Luigi Legnani, Lucio Matarazzo | E Major | 4 | 12B | 81 BPM | ||
6 Schubertian Songs: No. 1. Ständchen (Arr. J. Mertz for Guitar) | Brandon J. Acker | A Major | 1 | 11B | 123 BPM | ||
Lagrima : Lagrima | Norbert Kraft | E Major | 0 | 12B | 76 BPM | ||
6 Caprices, Op. 26: No. 2, Vivace | Matteo Carcassi, Lucio Matarazzo | A Major | 1 | 11B | 93 BPM |