"Spartacus Ballet Suite No. 2: I. Adagio of Spartacus and Phrygia" by Aram Khachaturian, Neeme Järvi, Royal Scottish National Orchestra was released on January 1, 1991. Since Spartacus Ballet Suite No. 2: I. Adagio of Spartacus and Phrygia is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Aram Khachaturian, Neeme Järvi, Royal Scottish National Orchestra's "Khachaturian: Spartacus Suites" album is number 6 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Spartacus Ballet Suite No. 2: I. Adagio of Spartacus and Phrygia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Spartacus Ballet Suite No. 2: I. Adagio of Spartacus and Phrygia by Aram Khachaturian, Neeme Järvi, Royal Scottish National Orchestra to be Lento (slowly) because the track has a tempo of 60 テンポ, a half-time of 30テンポ, and a double-time of 120 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clair de lune | Claude Debussy, Die 12 Cellisten der Berliner Philharmoniker | D♭ Major | 1 | 3B | 98 BPM | ||
Florida Suite: At Night | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | A Major | 0 | 11B | 107 BPM | ||
O lieb so lang du lieben kannst, S. 298 | Franz Liszt, Leif Ove Andsnes | A♭ Major | 0 | 4B | 70 BPM | ||
Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Walzer: Moderato (Tempo di valse) | Pyotr Ilyich Tchaikovsky, Bavarian Radio Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 124 BPM | ||
Goin' Home | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | G Major | 1 | 9B | 135 BPM | ||
The Banks of Green Willow | George Butterworth, Richard Hickox, London Symphony Orchestra | E Minor | 0 | 9A | 84 BPM | ||
The beyondness of things | John Barry, English Chamber Orchestra | F Minor | 3 | 4A | 101 BPM | ||
Masquerade Suite: Romance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | B♭ Minor | 1 | 3A | 176 BPM | ||
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Arr. Farrington) | Gustav Holst, Coronation Orchestra, Antonio Pappano | A Major | 0 | 11B | 124 BPM | ||
Pelécis : Concertino bianco for Piano in C major : I Con intenerimento | Georgs Pelēcis, Alexei Lubimov, Heinrich Schiff, Deutsche Kammerphilharmonie Bremen | C Major | 1 | 8B | 125 BPM |