Alexis Weissenberg's 'Pour Elise, Bagatelle pour piano en la mineur, Wo059 ou "Lettre à Elise"' came out on September 17, 2012. The duration of Pour Elise, Bagatelle pour piano en la mineur, Wo059 ou "Lettre à Elise" is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Pour Elise, Bagatelle pour piano en la mineur, Wo059 ou "Lettre à Elise"'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Chefs-d'oeuvre pour découvrir la musique classique, so we believe that "Pour Elise, Bagatelle pour piano en la mineur, Wo059 ou "Lettre à Elise"" is a single. Based on our statistics, Pour Elise, Bagatelle pour piano en la mineur, Wo059 ou "Lettre à Elise"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pour Elise, Bagatelle pour piano en la mineur, Wo059 ou "Lettre à Elise" by Alexis Weissenberg is Allegro (fast, quick, and bright), since this song has a tempo of 136 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Swan | Camille Saint-Saëns, Louise-Andrée Baril, Thérèse Motard | G Major | 0 | 9B | 132 BPM | ||
Reflections | Toshifumi Hinata | A Minor | 1 | 8A | 94 BPM | ||
String Quartet No. 3, "Mishima": VI. Mishima / Closing | Philip Glass, Carducci String Quartet | C Minor | 0 | 5A | 136 BPM | ||
Requiem In D Minor, K. 626: Sequence: VI. Lacrimosa Dies Illa | Slovak Philharmonic, Jaroslava Horska, Vladimir Ruso, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Jozef Kundlák, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Minor | 1 | 7A | 180 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Adagio in G Minor | Tomaso Albinoni, Chamber Orchestra of Miemo | G Minor | 3 | 6A | 90 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": III. Presto agitato | Ludwig van Beethoven, Daniel Barenboim | F♯ Minor | 1 | 11A | 157 BPM | ||
Einaudi: Una mattina | Ludovico Einaudi, Gautier Capuçon, Jerome Ducros | A Minor | 0 | 8A | 87 BPM | ||
Carnival of the Animals: The Swan | Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Sheku Kanneh-Mason | G Major | 1 | 9B | 65 BPM | ||
Mia & Sebastian’s Theme | Justin Hurwitz | A Major | 2 | 11B | 117 BPM |