Marguerite Canal, Raphaëlle Moreau, Célia Oneto Bensaid's 'Sonata for violin and piano (1925): I. Andantino' came out on November 17, 2023. With this song being about 5 minutes long, at 5:06, "Sonata for violin and piano (1925): I. Andantino" by Marguerite Canal, Raphaëlle Moreau, Célia Oneto Bensaid is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 13 in Duelles by Raphaëlle Moreau, Célia Oneto Bensaid. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Sonata for violin and piano (1925): I. Andantino is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata for violin and piano (1925): I. Andantino by Marguerite Canal, Raphaëlle Moreau, Célia Oneto Bensaid is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tudo Azul (Original Soundtrack) | Gabriel DaCruz | G Major | 2 | 9B | 110 BPM | ||
5 Stücke im Volkston pour violoncelle et piano, Op. 102: II. Langsam | Robert Schumann, Olivia Gay, Célia Oneto Bensaid | B Minor | 0 | 10A | 131 BPM | ||
Spirit of the Forest | Hiroki Kashiwagi | A Minor | 2 | 8A | 110 BPM | ||
La rencontre | Elsa Lepoivre, Célia Oneto Bensaid | C Minor | 1 | 5A | 181 BPM | ||
ドヴォルザーク/ユーモレスク | Classy Moon | D Major | 2 | 10B | 128 BPM | ||
Quand la fûte de Pan: VI. Assez lent | Rita Strohl, Olivia Dalric, Célia Oneto Bensaid | B Minor | 0 | 10A | 131 BPM | ||
Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass: I. Allegro moderato | Charles Martin Loeffler, Graeme Steele Johnson, David Shifrin, Bridget Kibbey, Stella Chen, Siwoo Kim, Matthew Lipman, Samuel DeCaprio, Sam Suggs | F Minor | 2 | 4A | 140 BPM | ||
Classe de piano de Clara Schumann | Elsa Lepoivre, Célia Oneto Bensaid | G Major | 1 | 9B | 112 BPM | ||
Saint-Saens: Le Cygne from Le Carnaval des Animaux "The Swan" | Jee-Yeon Hong | E♭ Major | 2 | 5B | 70 BPM | ||
Pièces pour piano d'après une lecture de Dante, Ce qu'on entend dans l'enfer: No. 3, Appel | Marie Jaëll, Célia Oneto Bensaid | D♭ Minor | 0 | 12A | 138 BPM |