Niccolò Paganini, Itzhak Perlman made "Paganini: 24 Caprices, Op. 1: No. 9 in E Major" available on February 1, 2000. The duration of Paganini: 24 Caprices, Op. 1: No. 9 in E Major is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Paganini: 24 Caprices, Op. 1: No. 9 in E Major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Paganini: 24 Caprices". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Paganini: 24 Caprices, Op. 1: No. 9 in E Major is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Paganini: 24 Caprices, Op. 1: No. 9 in E Major by Niccolò Paganini, Itzhak Perlman having a テンポ of 99 with a half-time of 50 テンポ and a double-time of 198 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: II. Scherzo. Allegro (Live) | Dmitri Shostakovich, Itzhak Perlman, Zubin Mehta, Israel Philharmonic Orchestra | D Minor | 3 | 7A | 115 BPM | ||
Violin Sonata in A Minor, Op. 27 No. 2: I. Obsession: Prelude (Poco vivace) | Eugène Ysaÿe, Leonidas Kavakos | A Minor | 1 | 8A | 131 BPM | ||
Liebesfreud | Itzhak Perlman, Samuel Sanders | F Major | 2 | 7B | 105 BPM | ||
12 Bagatelles, Op. 13: No. 9. L'abeille (The Bee) | Franz Francois Schubert, Leonidas Kavakos, Péter Nagy | E Minor | 3 | 9A | 113 BPM | ||
Guitar Sonata No. 3 in C Major, MS 84 | Niccolò Paganini, Mauro Bonelli | B Major | 2 | 1B | 78 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Violin Sonata No. 5 in F Major, Op. 24 "Spring": 4. Rondo (Allegro ma non troppo) | Ludwig van Beethoven, Itzhak Perlman, Vladimir Ashkenazy | F Major | 2 | 7B | 151 BPM | ||
Rimsky-Korsakov / Arr. Heifetz for Violin and Piano: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Itzhak Perlman, Samuel Sanders | A Minor | 5 | 8A | 96 BPM | ||
Havanaise, Op. 83: Allegro mo non troppo | Camille Saint-Saëns, Jascha Heifetz, William Steinberg, RCA Victor Symphony Orchestra | E Major | 2 | 12B | 76 BPM | ||
Godowsky / Arr Heifetz: Alt Wien | Leopold Godowsky, Itzhak Perlman | G Major | 2 | 9B | 100 BPM |