Wolfgang Amadeus Mozart, Edith Mathis, Tatiana Troyanos, Horst Laubenthal, Kieth Engen, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Regensburger Domspatzen, Hans Schrems made "Missa brevis In C, K.220 "Spatzenmesse": 3. Credo" available on January 1, 1998. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan, Wiener Philharmoniker, James Levine, Bavarian Radio Symphony Orchestra, Rafael Kubelik's "Mozart: Requiem; Great Mass in C minor; Missa brevis in C major" album is number 17 out of 34. On top of that, Germany appears to be the country where this track was created. Missa brevis In C, K.220 "Spatzenmesse": 3. Credo is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Missa brevis In C, K.220 "Spatzenmesse": 3. Credo by Wolfgang Amadeus Mozart, Edith Mathis, Tatiana Troyanos, Horst Laubenthal, Kieth Engen, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Regensburger Domspatzen, Hans Schrems to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zauberflöte, K. 620 / Act 2: "Der Hölle Rache kocht in meinem Herzen" | Wolfgang Amadeus Mozart, Albina Shagimuratova, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 3 | 7B | 142 BPM | ||
Missa Papae Marcelli: I. Kyrie | Giovanni Pierluigi da Palestrina, Regensburger Domspatzen | B♭ Major | 2 | 6B | 49 BPM | ||
Pater noster | Max Baumann, Regensburger Domspatzen, Georg Ratzinger | C Major | 1 | 8B | 71 BPM | ||
Mass in C Major - Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: Sanctus | Joseph Haydn, Eugen Jochum, Marga Höffgen, Bavarian Radio Symphony Orchestra, Maria Stader, Richard Holm, Josef Greindl, Bavarian Radio Chorus | G Major | 0 | 9B | 119 BPM | ||
Erstanden ist der heilig Christ | Melchior Vulpius, Regensburger Domspatzen, Roland Büchner | A Major | 2 | 11B | 103 BPM | ||
Eli, Eli | György Deák-Bárdos, Regensburger Domspatzen, Roland Büchner | C Minor | 1 | 5A | 87 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Credo: Et incarnatus est | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | G Minor | 1 | 6A | 135 BPM | ||
Marienlied für Chor: Sagt an, wer ist doch diese | Traditional, Regensburger Domspatzen, Roland Büchner | E Major | 1 | 12B | 127 BPM | ||
Requiem In D Minor, K. 626: Benedictus | Slovak Philharmonic, Vladimir Ruso, Slovak Philharmonic Chorus, Magdaléna Hajóssyová, Jaroslava Horska, Jozef Kundlák, Peter Mikulas, Stefan Klimo, Wolfgang Amadeus Mozart | B♭ Major | 2 | 6B | 84 BPM | ||
Es waren zwei Königskinder | Traditional, Regensburger Domspatzen, Theobald Schrems | E♭ Major | 1 | 5B | 69 BPM |