On November 17, 2009, the song "Missa in G Minor, BWV 235: I. Kyrie" was released by Johann Sebastian Bach, Philippe Pierlot, Carlos Mena, Anna Zander, Maria Keohane, Ricercar Consort, Hans-Jörg Mammel, Stephan MacLeod. Since Missa in G Minor, BWV 235: I. Kyrie is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 14 out of 20 in Bach: Magnificat; Mass in G Minor by Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Missa in G Minor, BWV 235: I. Kyrie is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Missa in G Minor, BWV 235: I. Kyrie by Johann Sebastian Bach, Philippe Pierlot, Carlos Mena, Anna Zander, Maria Keohane, Ricercar Consort, Hans-Jörg Mammel, Stephan MacLeod is Moderato (at a moderate speed), since this song has a tempo of 109 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 3. Duetto (Soprano, Alto) (Versus II): Den Tod Niemand Zwingen Kunnt | Holland Boys Choir, Netherlands Bach Collegium, Johann Sebastian Bach, Sytse Buwalda, Frank Wakelkamp, Nico Van Der Meel, Rien Voskuilen, Bas Ramselaar, Ruth Holton, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Vespeare cum ordinariis psalmis: Virgam virtutis tuae | Jan Josef Ignac Brentner, Inégal Ensemble, Adam Viktora, Prague Baroque Solists | B Major | 2 | 1B | 105 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (4) Choral (Tenore): Zion Hört Die Wächter Singen | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 0 | 10B | 166 BPM | ||
Funeral Anthem for Queen Caroline, HWV 264: II. The Ways of Zion Do Mourn | George Frideric Handel, Alsfelder Vocal Ensemble, Bremen Baroque Orchestra, Wolfgang Helbich | D♭ Major | 1 | 3B | 101 BPM | ||
Miserere in C minor: Misere II | Thomas Hengelbrock | B Major | 1 | 1B | 104 BPM | ||
Credo, ZWV 32: I. Credo | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | D♭ Minor | 3 | 12A | 110 BPM | ||
II. Der Himmel Lacht! Die Erde Jubilieret BWV 31, 1. Sonata | Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Sytse Buwalda, Johann Sebastian Bach, Ruth Holton, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Bas Ramselaar, Hendrik Jan Houtsma, Eduard Wesley, Will Wroth, Pieter Jan Leusink | B Major | 4 | 1B | 183 BPM | ||
I. Herz Und Mund Und Tat Und Leben BWV 147, Prima Parte, 1. Coro: Herz Und Mund Und Tat Und Leben | Pieter Jan Leusink, Holland Boys Choir, Netherlands Bach Collegium, Susan Williams, Peter Frankenberg, Eduard Wesley, Bas Ramselaar, Johann Sebastian Bach, Sytse Buwalda, Knut Schoch, Ruth Holton | B Major | 3 | 1B | 90 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Minor | 1 | 2A | 71 BPM |