"La Mer, L. 109, CD 111: II. Jeux de vagues" by Claude Debussy, Stéphane Denève, Royal Scottish National Orchestra was released on May 1, 2012. Since La Mer, L. 109, CD 111: II. Jeux de vagues is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 29 in the song's album "Stephane Deneve conducts Debussy". In this album, this song's track order is #2. La Mer, L. 109, CD 111: II. Jeux de vagues is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Mer, L. 109, CD 111: II. Jeux de vagues by Claude Debussy, Stéphane Denève, Royal Scottish National Orchestra having a テンポ of 67 with a half-time of 34 テンポ and a double-time of 134 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM | ||
The Gadfly Suite, Op. 97: VIII. Romance | Dmitri Shostakovich, Vassily Sinaisky, BBC Philharmonic | D♭ Major | 0 | 3B | 76 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese (The Pines of the Villa Borghese) | Ottorino Respighi, Minnesota Orchestra, Eiji Oue | F Major | 3 | 7B | 104 BPM | ||
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
Romance, Op. 11 | Gerald Finzi, London Philharmonic Orchestra, Sir Adrian Boult | A♭ Major | 1 | 4B | 84 BPM | ||
Lieutenant Kijé, Symphonic Suite, Op. 60: II. Romance | Sergei Prokofiev, Neeme Järvi, Royal Scottish National Orchestra | G Minor | 0 | 6A | 105 BPM | ||
Romeo and Juliet Suite No. 3, Op. 101: V. Aubade (Morning Serenade) | Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton | G Major | 2 | 9B | 57 BPM | ||
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM |