Johan Helmich Roman, Drottningholm Baroque Ensemble, Nils-Erik Sparf's 'Bilagers musiquen (Royal wedding music), BeRI 2, "Drottningholmsmusique": (Menuet)' came out on March 1, 2012. With Bilagers musiquen (Royal wedding music), BeRI 2, "Drottningholmsmusique": (Menuet) being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Roman: Drottningholmsmusiken / The Royal Wedding Music of Drottningholm". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Bilagers musiquen (Royal wedding music), BeRI 2, "Drottningholmsmusique": (Menuet) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bilagers musiquen (Royal wedding music), BeRI 2, "Drottningholmsmusique": (Menuet) by Johan Helmich Roman, Drottningholm Baroque Ensemble, Nils-Erik Sparf having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture-Suite in D Major, TWV 55:D1: VI. Conclusion: Allegro - Adagio - Allegro | Georg Philipp Telemann, The English Concert, Trevor Pinnock | D♭ Major | 3 | 3B | 118 BPM | ||
Concerto Armonico I: II. Allegro | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 3 | 3B | 115 BPM | ||
Sammartini: Recorder Concerto in F Major: II. — | Giuseppe Sammartini, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Chamber Sonata No. 4 in G Minor: IV. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 121 BPM | ||
Abdelazar Suite, Z. 570: I. Overture | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Concerto grosso in B-Flat Major, 1 No.3: IV. | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 146 BPM | ||
Oboe Concerto in D Major, Op. 7 No. 6: I. Allegro | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | D Major | 4 | 10B | 103 BPM | ||
Oboe Quartet in D Minor: I. Poco allegro | Johann Friedrich Fasch, Epoca Barocca | D♭ Minor | 2 | 12A | 101 BPM | ||
Tartini: Flute Concerto No. 2 in G Major: I. Allegro non molto | Giuseppe Tartini, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | G Major | 2 | 9B | 99 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM |