"Magnificat & Nunc dimittis in F Major, Op. 36: I. Magnificat" by Sir Charles Villiers Stanford, Hereford Cathedral Choir, Huw Williams, Roy Massey was released on November 17, 1995. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Hereford Cathedral Choir, Huw Williams, Roy Massey's "Magnificat & Nunc dimittis, Vol. 7" album is number 17 out of 18. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Magnificat & Nunc dimittis in F Major, Op. 36: I. Magnificat is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat & Nunc dimittis in F Major, Op. 36: I. Magnificat by Sir Charles Villiers Stanford, Hereford Cathedral Choir, Huw Williams, Roy Massey to be Andante (at a walking pace) because the track has a tempo of 106 テンポ, a half-time of 53テンポ, and a double-time of 212 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Songs of Love: No. 4, His Left Hand | Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen | A Minor | 0 | 8A | 138 BPM | ||
Stabat Mater, Op. 96: IV. Eja Mater, fons amoris (Soprano, Alto, Tenor, Bass, Chorus) | Charles Villiers Stanford, Richard Hickox, BBC Philharmonic Orchestra, Ingrid Attrot, Pamela Helen Stephen, Nigel Robson, Stephen Varcoe, Darius Battiwalla, Leeds Philharmonic Chorus | C Major | 1 | 8B | 66 BPM | ||
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
Burial Sentences: VI. Thou Knowest, Lord | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | B♭ Major | 1 | 6B | 124 BPM | ||
Magnificat in F Major (1) | George Dyson, Hereford Cathedral Choir, Huw Williams, Roy Massey | G Major | 2 | 9B | 169 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Il bianco e dolce cigno: Il bianco e dolce cigno | Jacques Arcadelt, Laudantes Consort, Guy Janssens | G Major | 1 | 9B | 47 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
4 Quartette, Op. 92: I. O schöne Nacht | Johannes Brahms, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber | E Minor | 1 | 9A | 95 BPM | ||
3 Nocturnes: No. 3. Lullaby | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | E Major | 1 | 12B | 70 BPM |