Traditional, Aaron Copland, Marilyn Horne, English Chamber Orchestra, Carl Davis made "Old American Songs Set 2: 5. Ching-a-ring-ching-chaw (Arr. Copland)" available on January 1, 1996. With Old American Songs Set 2: 5. Ching-a-ring-ching-chaw (Arr. Copland) being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 30 in Copland: Appalachian Spring; Lincoln Portrait; Fanfare; Rodeo, etc. by Aaron Copland, Zubin Mehta, Antal Doráti, Sir Neville Marriner, Traditional. Based on our statistics, Old American Songs Set 2: 5. Ching-a-ring-ching-chaw (Arr. Copland)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Old American Songs Set 2: 5. Ching-a-ring-ching-chaw (Arr. Copland) by Traditional, Aaron Copland, Marilyn Horne, English Chamber Orchestra, Carl Davis is Allegro (fast, quick, and bright), since this song has a tempo of 147 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pax aeterna | Traditional, Monks Of The Abbey Of Notre Dame | D Minor | 1 | 7A | 146 BPM | ||
O Weisheit | Chamber Choir Versija | D♭ Major | 1 | 3B | 68 BPM | ||
Adieu delices de mon ceur | Jacob Clemens non Papa, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 79 BPM | ||
Da pacem domine | Traditional, Monks Of The Abbey Of Notre Dame | E Minor | 1 | 9A | 129 BPM | ||
Intabolatura de lauto, Book 4: Calata ala spagnola | Joan Ambrosio Dalza, Christopher Wilson | B♭ Major | 1 | 6B | 126 BPM | ||
Ostinato vos seguire | Bartolomeo Tromboncino, Capella De La Torre, Katharina Bauml | F Major | 2 | 7B | 87 BPM | ||
Heruvimska pesma | Divna Ljubojević | A Minor | 2 | 8A | 112 BPM | ||
Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM | ||
Amen, Allelulia | State Symphony Cappella | D♭ Major | 1 | 3B | 68 BPM | ||
Psalm 130: Ich Harre auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | B♭ Major | 1 | 6B | 92 BPM |