Kurt Weill, Wolfgang Neuss, Johanna von Koczian, Inge Wolffberg, Wilhelm Brückner-Rüggeberg's 'Die Dreigroschenoper: Akt II, Das Eifersuchtsduett ("Komm heraus, du Schönheit von Soho!")' came out on 1958. The duration of Die Dreigroschenoper: Akt II, Das Eifersuchtsduett ("Komm heraus, du Schönheit von Soho!") is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Die Dreigroschenoper: Akt II, Das Eifersuchtsduett ("Komm heraus, du Schönheit von Soho!")'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Die Dreigroschenoper by Kurt Weill, Lotte Lenya. The song's track number on the album is #17 out of 26 tracks. In terms of popularity, Die Dreigroschenoper: Akt II, Das Eifersuchtsduett ("Komm heraus, du Schönheit von Soho!") is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Die Dreigroschenoper: Akt II, Das Eifersuchtsduett ("Komm heraus, du Schönheit von Soho!") by Kurt Weill, Wolfgang Neuss, Johanna von Koczian, Inge Wolffberg, Wilhelm Brückner-Rüggeberg has a tempo of 119 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Die Dreigroschenoper: Akt II, Das Eifersuchtsduett ("Komm heraus, du Schönheit von Soho!") being at 119 テンポ, the half-time would be 60 テンポ with a double-time of 238 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der fliegende Holländer / Act 3: 7. Szene und Chor. "Steuermann, laß die Wacht!" | Richard Wagner, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Woldemar Nelsson | G Major | 3 | 9B | 86 BPM | ||
Ganz wild | Wolfgang Neuss | G Major | 6 | 9B | 113 BPM | ||
Die Kleptomanen | Marlene Dietrich | C Minor | 3 | 5A | 81 BPM | ||
Abschied vom Walde, Op. 59/3 | Felix Mendelssohn, Thomas Hengelbrock | E♭ Major | 1 | 5B | 91 BPM | ||
La Cage Aux Folles: Mit Anne Im Arm | Ensemble "Theater Des Westens", Orchester Theater des Westens, Chor Theater des Westens | C Major | 2 | 8B | 79 BPM | ||
Gräfin Mariza, Act I: "Komm Zigány" (Tassilo) | Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Karl Terkal | E Major | 3 | 12B | 89 BPM | ||
Ausgerechnet Bananen | Willi Rose | C Major | 6 | 8B | 111 BPM | ||
Humperdinck : Hänsel und Gretel : Act 1 "Rallalala, rallalala" [Father] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E Minor | 0 | 9A | 75 BPM | ||
An die Nachgeborenen | Hanns Eisler, Ernst Busch, Grigori Schneerson | A Minor | 2 | 8A | 85 BPM | ||
Du hast Gluck bei den Frau'n Bel Ami | Lizzi Waldmoeller | E♭ Major | 4 | 5B | 74 BPM |