"Alliluia. Se zhenikh gryadet (Alleluia. Behold the bridegroom) - c. XVIII century" by Anonymous, St.Petersburg Chamber Choir, Nikolai Korniev was released on January 1, 1996. With this song being about 5 minutes long, at 5:07, "Alliluia. Se zhenikh gryadet (Alleluia. Behold the bridegroom) - c. XVIII century" by Anonymous, St.Petersburg Chamber Choir, Nikolai Korniev is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 107 in the song's album "Sacred Choral Music from Russia". In this album, this song's track order is #1. Alliluia. Se zhenikh gryadet (Alleluia. Behold the bridegroom) - c. XVIII century is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Alliluia. Se zhenikh gryadet (Alleluia. Behold the bridegroom) - c. XVIII century by Anonymous, St.Petersburg Chamber Choir, Nikolai Korniev having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenity | Ola Gjeilo, Phoenix Chorale, Charles Bruffy, Emmanuel Lopez | G Major | 0 | 9B | 60 BPM | ||
Lux aeterna: III. O nata lux | Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt | D Major | 0 | 10B | 130 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Hymn of the Cherubim (Excerpt 1) | The Russian State Symphony Cappella | B Major | 2 | 1B | 82 BPM | ||
Allegri: Miserere - 04. Ecce Enim Veritatem | The Tallis Scholars, Peter Phillips | G Minor | 0 | 6A | 71 BPM | ||
Ныне силы небесныя | Хор Сретенского монастыря | E Major | 1 | 12B | 62 BPM | ||
Cum processit factura digiti Dei | Hildegard von Bingen, Sequentia, Barbara Thornton | C Major | 0 | 8B | 76 BPM | ||
MAGNIFICAT: I. Magnificat anima mea | Kim André Arnesen, Anita Brevik, Nidarosdomens jentekor, TrondheimSolistene, Magne H. Draagen, Øyvind Gimse | E Minor | 1 | 9A | 87 BPM | ||
Regina caeli | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
The Sacred Veil: I. The Veil Opens | Eric Whitacre, Los Angeles Master Chorale, Jeffrey Zeigler, Lisa Edwards | C Minor | 1 | 5A | 115 BPM |