On May 7, 2009, the song "Concerto No. 12, Op. 7: Concerto a cinque No. 12, Op. 7: III. Allegro" was released by Tomaso Albinoni, Paul Dombrecht, Il Fondamento. The duration of Concerto No. 12, Op. 7: Concerto a cinque No. 12, Op. 7: III. Allegro is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Concerto No. 12, Op. 7: Concerto a cinque No. 12, Op. 7: III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 24 in Albinoni: Concerti con Oboe by Tomaso Albinoni, Paul Dombrecht, Il Fondamento. Concerto No. 12, Op. 7: Concerto a cinque No. 12, Op. 7: III. Allegro is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concerto No. 12, Op. 7: Concerto a cinque No. 12, Op. 7: III. Allegro by Tomaso Albinoni, Paul Dombrecht, Il Fondamento is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Dido and Aeneas, Z. 626: Overture | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Minor | 2 | 10A | 91 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
12 Trio Sonatas, Op. 1, Sonata VIII in B Minor Talm I, 8: II. Allegro | Tomaso Albinoni, L'Arte dell' Arco, Federico Guglielmo | B♭ Major | 3 | 6B | 111 BPM | ||
6 Morceaux, Op. 51: No. 6. Valse sentimentale (arr. N. Mercz): Valse sentimentale in F Minor Op. 51, No. 6 | Nora Mercz, Pyotr Ilyich Tchaikovsky, Janos Balint | F Minor | 0 | 4A | 71 BPM | ||
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
Vivaldi - Concerto in D Major "Grosso Mogul" RV 208: I Allegro | Antonio Vivaldi, Viktoria Mullova, Il Giardino Armonico, Giovanni Antonini | D♭ Major | 2 | 3B | 126 BPM | ||
Concerto in B-Flat Major, Op. 4, No. 6: Concerto in B-Flat Major, Op. 4, No. 6: I. Andante allegro | George Frideric Handel, Richard Egarr, Academy of Ancient Music | A Major | 0 | 11B | 79 BPM | ||
Cello Sonata: II. — | Tamara Konstantin, Jiaxin Lloyd Webber | G Minor | 1 | 6A | 74 BPM |