"Requiem in C Minor: Benedictus" by Antonio Salieri, Arianna Zukerman, Simona Ivas, Adam Zdunikowski, Luis Rodrigues, Alice Caplow-Sparks, António Esteireiro, Coro Gulbenkian, Orquestra Gulbenkian, Lawrence Foster was released on May 25, 2010. The duration of Requiem in C Minor: Benedictus is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Requiem in C Minor: Benedictus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Salieri: Requiem". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Netherlands. Requiem in C Minor: Benedictus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem in C Minor: Benedictus by Antonio Salieri, Arianna Zukerman, Simona Ivas, Adam Zdunikowski, Luis Rodrigues, Alice Caplow-Sparks, António Esteireiro, Coro Gulbenkian, Orquestra Gulbenkian, Lawrence Foster having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armida, Atto Terzo Scena 5: Fermati, aspetta (Armida, Ubaldo, Rinaldo) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Lenneke Ruiten, Ashley Riches, Florie Valiquette | G Minor | 1 | 6A | 124 BPM | ||
Symphony in F Minor, Bryan f1: I. Allegro moderato | Johann Baptist Vanhal, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 117 BPM | ||
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Itzhak Perlman | G Minor | 2 | 6A | 109 BPM | ||
Caprice viennois | Fritz Kreisler, Isaac Stern, János Rolla, Franz Liszt Chamber Orchestra | B Major | 1 | 1B | 89 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Falstaff: Act II Scene 1: Trio: Nell'acqua il buzzone (Betty, Mrs. Ford, Mrs. Slender) | Antonio Salieri, József Gregor, Mária Zempléni, Dénes Gulyás, Istvan Gati, Eva Panczel, Tamas Csurja, Eva Vamossy, Salieri Chamber Chorus, Salieri Chamber Orchestra, Tamas Pal | D Major | 1 | 10B | 165 BPM | ||
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: III. Allegro | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | D♭ Minor | 3 | 12A | 104 BPM | ||
Armida, Atto primo Scena 3: Ecco l'onda insidiosa (Ubaldo, Ismene) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Ashley Riches, Teresa Iervolino | B♭ Major | 1 | 6B | 125 BPM |