"Overture To "The Phantom of the Opera"" by Boston Pops Orchestra, Keith Lockhart was released on September 3, 2007. With this song being about 5 minutes long, at 5:16, "Overture To "The Phantom of the Opera"" by Boston Pops Orchestra, Keith Lockhart is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Oscar and Tony: Award-Winning Music from the Stage and Screen". In this album, this song's track order is #10. Based on our statistics, Overture To "The Phantom of the Opera"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Overture To "The Phantom of the Opera" by Boston Pops Orchestra, Keith Lockhart having a テンポ of 131 with a half-time of 66 テンポ and a double-time of 262 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiener Blut | Johann Strauss II, I Salonisti, Thomas Füri, Lorenz Hasler, Ferenc Szedlak, Bela Szedlak, Werner Giger | C Major | 1 | 8B | 179 BPM | ||
Grand Canyon Suite: 3. On the Trail | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | A Major | 1 | 11B | 80 BPM | ||
"Pomp And Circumstance" March No.1 | Edward Elgar, I Salonisti, Thomas Füri, Lorenz Hasler, Ferenc Szedlak, Bela Szedlak, Werner Giger | D Major | 2 | 10B | 116 BPM | ||
Il Postino (the Postman) | Luis Bacalov, Juanjo Mosalini, Santa Barbara Symphony Orchestra, Gisele Ben-Dor | C Major | 0 | 8B | 182 BPM | ||
Vaughan Williams: English Folk Song Suite | Ralph Vaughan Williams, The Central Band Of The R.A.F., Wing Commander Eric Banks | F Minor | 3 | 4A | 121 BPM | ||
This is a Tale | Melbourne Symphony Orchestra, Nigel Westlake | D Minor | 2 | 7A | 92 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Wolf | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Minor | 0 | 5A | 56 BPM | ||
Orb And Sceptre | William Walton, Boston Pops Orchestra, John Williams | E Major | 2 | 12B | 113 BPM | ||
Destiny | Sydney Baynes, I Salonisti, Thomas Füri, Lorenz Hasler, Ferenc Szedlak, Bela Szedlak, Werner Giger | A Major | 1 | 11B | 84 BPM | ||
Cliffhanger Theme | Trevor Jones | D Major | 4 | 10B | 89 BPM |