Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel made "Metropolis: II. Zwischenspiel: Freder und Rotwang" available on June 7, 2011. With Metropolis: II. Zwischenspiel: Freder und Rotwang being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gottfried Huppertz, Frank Strobel's "Metropolis" album is number 18 out of 32. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Metropolis: II. Zwischenspiel: Freder und Rotwang's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Metropolis: II. Zwischenspiel: Freder und Rotwang by Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: VIII. Finale | Dmitri Shostakovich, Berlin Radio Symphony Orchestra, Steven Sloane | F Major | 4 | 7B | 125 BPM | ||
Moskva, Cheryomushki (Moscow, Cheryomushki) Suite, Op. 105 (arr. A. Cornall): I. A Spin Through Moscow | Dmitri Shostakovich, Andrew Cornall, Berlin Radio Symphony Orchestra, Steven Sloane | F♯ Minor | 3 | 11A | 90 BPM | ||
The Phantom Melody | Albert Ketèlbey, Slovak Radio Symphony Orchestra, Adrian Leaper | E♭ Major | 0 | 5B | 91 BPM | ||
Gayane Suite No. 1: III. Armen's Solo | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 0 | 9B | 87 BPM | ||
Requiem in D Minor, K. 626: Sequence No. 1: Dies Irae | Wolfgang Amadeus Mozart, Edith Wiens, Gabriele Schreckenbach, Aldo Baldin, Gerhard Faulstich, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Uwe Gronostay | B♭ Major | 1 | 6B | 101 BPM | ||
Spartacus, Act I: Scene and Dance with Crotala (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | G Major | 1 | 9B | 80 BPM | ||
Die Tage der Kommune: No. 1 | Hanns Eisler, Berlin Radio Symphony Orchestra | E♭ Major | 2 | 5B | 120 BPM | ||
Ivan the Terrible, Op. 116, Pt. 2: Fanfares - Polonaise | Sergei Prokofiev, Berlin Radio Symphony Orchestra, Frank Strobel | B♭ Major | 2 | 6B | 80 BPM | ||
Waldwiese (Forest Clearing) - Alberich und Siegfried (Alberich and Siegfried) | Gottfried Huppertz, Hr-sinfonieorchester, Frank Strobel | B♭ Minor | 0 | 3A | 57 BPM | ||
Ballet Suite No. 4 (arr. L. Atovmyan): Scherzo (The Bolt) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 3 | 8B | 77 BPM |