"Choir Concerto: IV. Sej trud, shto natchinal ja s upavan'jem (Complete this work which I began)" by Alfred Schnittke, Dale Warland Singers, Dale Warland was released on August 1, 2010. With this song being about 5 minutes long, at 5:20, "Choir Concerto: IV. Sej trud, shto natchinal ja s upavan'jem (Complete this work which I began)" by Alfred Schnittke, Dale Warland Singers, Dale Warland is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "The Dale Warland Singers: Lux Aurumque". In this album, this song's track order is #10. Choir Concerto: IV. Sej trud, shto natchinal ja s upavan'jem (Complete this work which I began) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Choir Concerto: IV. Sej trud, shto natchinal ja s upavan'jem (Complete this work which I began) by Alfred Schnittke, Dale Warland Singers, Dale Warland having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes, L. 91: 2. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | ||
Gli uccelli (The Birds), P. 154: II. La colomba: Andante expressivo | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | F♯ Minor | 1 | 11A | 123 BPM | ||
Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM | ||
Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
Gayane Suite No. 2: V. Lullaby | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Minor | 1 | 6A | 83 BPM | ||
Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 127 BPM | ||
Nocturnes, L. 91: I. Nuages (Arr. by Denis Herlin) | Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder | A♭ Major | 3 | 4B | 113 BPM | ||
Elegie in E-Flat Minor, Op. 3, No. 1 | Sergei Rachmaninoff | E♭ Minor | 1 | 2A | 68 BPM | ||
Piano Concerto: II. "In memoriam" Grave - Quasi andantino | Lūcija Garūta, Reinis Zariņš, Liepāja Symphony Orchestra, Atvars Lakstigala | E♭ Minor | 1 | 2A | 76 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM |